Subverting the Patriarchy: Gender Roles in the Poetry of Sylvia Plath

Authors

  • Nazrul Islam Research Scholar, B R A Bihar University, Muzaffarpur
  • Dr. Umakant Sharma Associate Professor (Retd.), R D S College, Muzaffarpur

DOI:

https://doi.org/10.53573/rhimrj.2025.v12n4.014

Keywords:

Assessment, Feminism, Gender roles, Identity, Patriarchy

Abstract

Sylvia Plath’s poetry emerges as a profound exploration of gender identity, psychological trauma, and rebellion against patriarchal structures. Writing during a period when women's roles were rigidly defined by domesticity and subservience, Plath uses her poetic voice to interrogate, destabilize, and reimagine these constraints. Through key works such as Daddy, Lady Lazarus, The Applicant, and Ariel, this paper examines how Plath portrays the tension between societal expectations and female autonomy. By investigating her use of metaphor, irony, and confessional voice, the article reveals how Plath's poetry critiques gender norms and articulates a powerful, if often painful, female subjectivity.

References

Agarwal, S. Sylvia Plath, New Delhi: Northern Book Centre, 2003.

Axelrod, Steven Gould. Sylvia Plath: The Wound and the Cure of Words. U.S.: Johns Hopkins University Press, 1990.

Brain, Tracy. The Other Sylvia Plath, New York: Longman, 2001.

Mitchell, J. Women: The Longest Revolution, New York: Pantheon Books, 1996.

Plath, Sylvia. Ariel, U.K.: Faber & Faber, 1965.

Plath, S., Hughes, T. The Collected Poems, New York: Harper & Row, 1981.

Rose, Jacqueline. The Haunting of Sylvia Plath. U.S.: Harvard University Press, 1991.

Wagner-Martin, Linda. Sylvia Plath: A Literary Life, New York: Palgrave Macmillan, 1999.

Downloads

Published

2025-04-19

How to Cite

Islam, N., & Sharma, U. (2025). Subverting the Patriarchy: Gender Roles in the Poetry of Sylvia Plath. RESEARCH HUB International Multidisciplinary Research Journal, 12(4), 106–109. https://doi.org/10.53573/rhimrj.2025.v12n4.014